A) Vocabulary – close analysis of the first four stanzas. Here are some notes to help you
with the difficult vocabulary
Vocabulary help:
Line 1: pines are
evergreen trees that produce woody cones and have needle- shaped leaves
Line 4: Lupins
are a common sight on the South Island of New Zealand where they have become wild (plants)
Line 5: sole-charge
teachers are found in about 8% of primary schools in New Zealand. These are usually rural
schools in isolated villages which consist of only one class and one teacher.
Line 6: magpies
are birds noted for their chattering call
Line 8: belting –
either the material used to make belts (it could be the belts of a machine) OR belting can also be a beating or a thrashing
(being hit with a leather belt)
Line 10: recurrent
means occurring repeatedly
Line 12: a gear
is a part of a machine used to change speed
B) Questions about the stanzas to help you think about the meaning of the poem.
Stanzas 5-7
a) Look at the simile in stanza five: “like a mist”. Why do you think all of the above
memories are compared to a mist? How can memories exist “among my mountainous fabrics”?
b) “So do they the measurable world resist”. Comment on the following line.
c) Look at stanza 6 and suggest the meanings of the phrase “your conscious carrier”.
d) Look at line 16 – what does time do to these memories?
e) The poem is called ‘Time”; pick out all the references to time. What is being suggested
about time?
f) The last line ‘I
am … the Beginning and the End’ is derived from the Bible:
Revelation 22, v.13. There
are also echoes of ‘East Coker’ (Eliot’s Four Quartets)
with its closing lines ‘In my end is my beginning’.
Does this help to reveal the meanings of the poem? OR does the poem remain “private and unanswerable?”
g) Look closely at the final stanza and the use of listing. Comment on the choice of nouns in the
list.
h) Look closely at the use of punctuation in the last three stanzas and in the poem as a whole.
Comment on the effect of this punctuation.
Does this help to reveal the meanings of the poem? OR does the poem remain “private and unanswerable?”